Wednesday, September 24, 2008

Essay 1

Breaking Free

From the moment I picked up a pencil, I knew there was something different about me. I don’t mean to sound vain about myself, on the contrary, I feel very shy and timid about revealing my talent to strangers. I guess I feel like I will still be put into a stereo-type... you know, one of those groups that people automatically see you coming from once they figure you out. It seems that all through high school I was dealing with this problem. It’s not that I was too smart or that I was ugly or that I even acted strange... I drew. Simple as that. Oddly, I had convinced myself that I belonged there... with the freakish crowd... even though I was neither odd or eccentric. 


I had been taking art classes for quite a few years and I began having this yearning of something more... something better that I could do. I mean, isn’t that what people tell us to do? Expand and broaden our talents? And just like a caterpillar in a cocoon, I needed to break free of my comfort zone and become something alternately and wonderfully different... something beautiful. The day I saw the painting my art teacher had finished under the instruction of a new Maestro, or Master Teacher, I knew exactly what I needed to work for to break free of the confines of my own inexperienced ability. I had to learn how to paint.  


It took months before I could convince my own art teacher to let me meet this Master Artist that she had been studying under, but eventually, once she knew that I was not going to give up and that I was insistent on learning how to paint, the belts were loosened and she agreed to let me ‘visit’ her at the workshop that month. I was so happy at her consent that I could have done backflips... considering if I knew how. My next challenge, though, was to somehow convince the revered instructor that I had talent and although I wasn’t eighteen, I was fourteen at the time, I could copmlete any challenge he put before me. Mind you, I did not know how to paint and, of course, I was just trying to psyche myself up, telling myself I could do all these things, when in reality, I really didn’t even know what oil paint was but I wasn’t going to be the one to tell him that. 


The day I was to meet the Italian Artist, I had so many mixed feelings, and above all, I was extremely anxious and nervous... I was so giddy that I jumped at everything and nothing, but i didn’t know what to expect so who could blame me? Luckily, I had had enough sense to sketch a few renaissance pieces that would hopefully impress him in my humble little sketch book that was ready to fall apart if you held it the wrong way. I determined that I would meet him and hopefully show him what I had done and he would be so impressed with my work that he would accept me then and there, demanding that I stay for the rest of the workshop. But of course, those were only fantasies in my head. I have come to figure out that nothing in life works out like you plan in your head. Nothing. And this is one of those times.


By the time I had come by, everyone was getting ready to go off to lunch for a break and I was panicking. I, like many people, have a strong will until those last few moments when nothing is going your way. And that’s what it came down to. I was about ready to give up until I saw a Mediterranean man come walking around the corner towards me with a big grin on his face, he looked vaguely familiar, kind of like Andrea Bocelli, the blind opera singer. His black hair was laced with silver and his skin was extremely dark, contrasting to everything around him. In a thick Italian accent, he introduced himself, telling me that he was Frank Covino, the Maestro. I had smiled awkwardly and shook his large hand and then just let him walk away since I was dumbfounded. It wasn’t until he had driven away and I was all alone at the workshop that I had realized that I had forgotten to show him my work, the whole reason I had come in the first place! Now I was only fourteen which means that I didn’t have a license and I had no idea how to drive in the first place... i also didn’t have a car to experiment on either, so I was stuck. It seemed, though, that I was fortunate enough to spot my art teacher from a distance as she was getting ready to leave and begged her to let me come with. Once we had climbed in her car and I had revealed the story of my meeting with Maestro Covino, she had laughed and told me to give her my sketch book and that she would take me home but that she would show him my sketch book and all that I had done. 


Later that night, as I was fidgeting with my shirt, something I always do when I am nervous or embarrassed, the phone rang. My family didn’t have caller ID at the time, so all day I had been bolting up the stairs to answer the call that was never the one I was expecting. This time was no different as I worked my short legs up to the second floor, skipping three steps at a time which was an amazing feat for me. I jerked the phone out of the holder and roughly, out of breath, tried to say hello in vain. But ignoring the stress on her line, my teacher relayed the news to me that Maestro Covino had more than willingly accepted me into his class but had said that I would have to wait until the next workshop to participate. I was barely listening to the rest of what she had to say as I went into a sort of stupor where your whole mind is consumed with one idea.  Mine was filled with paint.


From that time on, I was immediately accepted into a tight art community that is more like a family to me than anything else. And it wasn’t just because they would come over and pinch my cheeks or kiss me and tell me how cute I was all the time, it was because they really cared for me, they didn’t judge me. And they still don’t. I was so far from being an adult yet they accepted me as if I were one of them. It helped me to grow up and realize who I was and who I wanted to be as well. I have finished my eighth painting now with their full support and encouragement and they have helped me get into galleries and art shows, thus bringing me into a much more diverse community than just that of a fourteen year old’s little world. Indeed I had become that butterfly and I had broken out of my cocoon. 


Sariah Patterson

Wednesday, September 17, 2008

Ideas for Essay

First Painting

From the moment i picked up a brush, i was integrated into something much deeper than i had previously realized. I was part of a community, a family of artists who strived to be equal to that of the Renaissance Masters like Rembrandt, Da Vinci, and Michaelangelo. I matured from a mediocre artist to a more professional one which gave me many open opportunities to expand my horizon.

Accepted into Academy

I had yearned to be a part of an art academy for some time and when i got my chance, i took it. Maestro artist, Frank Covino, had come into town and i determined that i had to meet him and prove myself to him. Later after that meeting, i was contacted by a member of the academy who had told me that he, Maestro Covino, had accepted me into his class and workshops. This shows my maturity level go from just high school level into an adult level.

Tuesday, September 9, 2008

Monday, September 8, 2008

Brushstrokes

Sariah Patterson
One man said that you can see the artist through their artwork. I believe him. You may not be able to see my face hidden in the paint, but underneath each brushstroke is a vow of true devotion. My paintings are an altar of worship. My own soul is on display, on auction waiting to be sold. Painting is my religion. And like all religions, one must have faith to believe what is not yet seen. One must have faith to one day see... to one day open one's eyes and see a work of art staring back at them. I say it's an addiction. A high that I can never escape. This wild craving to imitate nature is an obsession. Each brushstroke takes me deeper and deeper into the infatuation of color and light. But will it ever be enough? Will it fulfill all the desires of my heart? It's betrayal. Art is a drug that won't let me stop... it takes my soul and heart and gives it away... shares it with every critical eye that happens upon it. They critique and criticize my heart and soul that I've so bravely put before them on stretched canvas covered in paint.

The paint will crack.

And with each brushstroke, so will I.






Monday, September 1, 2008

Epigraph



"Love takes off masks that we fear we cannot live without and know we cannot live within." ~James Arthur Baldwin

When writing, people seem to be able to hide problems and truth. Isn't it great to know that everyone has an escape? And for some, the pen is a relief to show readers something they're not. But can I or anyone else really hide from truth and fact? It doesn't seem very realistic until you have a pen in hand and paper in front of you when the mind gets fuzzy and your eyes glaze over to a far off dream of what you could be. James Baldwin points out that we will never be able to hide who we really are... yet i still have urges to be and write like someone I am not. And doesn't everyone have that problem? Whether Love removes our facades or something completely different, we still have this belief that we are something more than we lead on to and whether in English assignments or through the internet, this idea floats in our subconscious to be who we are not. I suppose we could refer this reoccuring phenomenon to dreams that we ourselves cannot recognize or comprehend often. Some say Love is to blame for lies and fables that we create and fool our readers with each time we sit down to write. Some say it's Pride. And because we concoct ideas to impress others or perhaps just ourselves, these written ideas that we blame our lies and mistakes upon, reveal us to the world. We are unwillingly showcasing our true colors we would not have been able to hide from those we care for to begin with. It is a curious human trait that takes hold of everyone at least once and when we are at the point of no return, we find that because of this, we learn who we are and where we stand. We take into consideration what we wished to become and what we now want to sculpt ourselves into with our writing. I realize that we are really like clay, we shape ourselves into what we choose to be and what we hope to be, and it is truly up to us to decide whether we turn ourselves into a masterpiece... or a constructed object waiting to flake and crack. So now, it's time to ask ourselves, are we going to be beautifully molded by the truth of our written fantasies? Or are we going to be deformed and crumbling, modeled by written lies and unrealistic hopes to be someone we could never be in the first place?


First Blog post!

Alrighty... this is my first time posting on the blog haha. My classes are kinda crappy except a few and I hope to be able to get through most of them without any problems! Haha. It's amazing how much students anticipate going to college and then they realize that once they get there... it's lame and pretty much just the same as high school. except for the professors really donn't care about disciplining you. ha! there's not many rules in college and it's just a place where students go to learn because they are paying for it instead of having to go because it's the law. :)